He moved to Chappell, Nebraska, with his family in 1918, but by 1921 was back in Texas playing with Peck Kelleys Bad Boys. He took up the baritone horn for a time but switched to trombone when he was seven. NEW ORLEANS, Jan. 15 (AP) Jack Teagarden, the jazz trombonist and singer, died today in a New Orleans motel. He wouldnt be Jack Teagarden if it came out any other way. The September 1921 flood that brought death . Having grown up in an area with a large black population, Teagarden developed an early appreciation of black music, especially the blues and gospel He was one of the first jazz musicians to incorporate blue notes into his playing. His creative instinct is unerring, rhythmically and harmonic- ally, and is creatively superb. Louis Armstrong, Benny Goodman, Red Nichols and Eddie Condon. [2], Teagarden sought financial security during the Great Depression and signed an exclusive contract to play for the Paul Whiteman Orchestra from 1933 through 1938. As mentioned above, by the summer of 1928, Teagarden was playing with Ben Pollacks orchestra, and he stayed with Pollack, performing and recording, for nearly five years. The Teagarden brothers (Jack and trumpeter Charlie) are generally considered the only interesting jazzmen to have been part of it, and yet Jack also felt a little out of the limelight. She remembers one incident It must have been around 1949 or 50 and the band was playing in Las Vegas. Trombonist, singer. Of this venture, nothing but praise-both musical and personal-rang from every port of the bands call. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1. He was also a remarkable singer, with a warm, Texas drawl that gave everything he sang a marvelous intimacy, and he never lost sight of the blues in everything he did. All four Teagarden children became prominent musicians. Teagarden also had a remarkable voice. Though he was extremely shy, he talked freely with her. In 1938 he left Whitemans band to form his own. At various times in teagardens career, his siblings played in the same band. Instead, he used his lips, like a trumpet player, to form many notes. Jack got his first big break in a strange way. Quick Facts Full Name Jack Teagarden Died January 15, 1964, New Orleans, Louisiana, United States Profession Actor, Singer, Bandleader, Trombonist Nationality American Spouse Adeline Barriere, Billie Coates, Claire Manzi, Ora Binyon Parents Charles W. Teagarden, Helen Geingar Siblings Charlie Teagarden, Norma Teagarden, Clois "Cub" Teagarden Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. Both have since died. He has a natural way with anything mechanical and spends a lot of time plying his tools in his home workshop. I dont want a coat, she wailed. I Ain't Lazy - I'm Just Dreamin'. performed in the Paul Whiteman Orchestra in the 1930s, then performed By 1928 he played for the Ben Pollack band. with his own band. The reunion at the Monterey Jazz Festival, with his brother Charlie, sister Norma, and even his mother, who played a few ragtime piano solos, is considered to be a celebration of the life of a great jazz musician. At sixteen Teagarden first played the trombone professionally, at a concert near San Antonio as a member of Cotton Baileys dance and jazz band. Upper register solos, the lack of a strict solo beat, and the use of lip trills were some of his characteristics. Performer: Jack Teagarden and his Orchestra; Jack Teargarden Writer: Kennedy; Carr Vocal Chorus. TimesMachine is an exclusive benefit for home delivery and digital subscribers. Jack Teagarden, Soundtrack: Reminiscence. His tombstone reads simply, Where there is hatred, let me sow love, Courtesy of the Miami Herald, e-mail:sreisinger@herald.com In the Pollack band, in particular, he worked with some of the most famous jazzmen of the time, including Benny Goodman, Bud Freeman and Jimmy McPartland. The world of jazz, like any part of show business, suffers as much from public fickleness as does, say, the bumbling lyrics of a Presley or Fabian (although one approaches art, the other embraces the soul of rockn roll). He was such an excellent musician that youthful sibling Charlie (a fantastic trumpeter) was generally overshadowed. By 14, Teagarden was playing professionally. He left Armstrong and formed the Jack Teagarden All Stars Dixieland band in 1951. Visiting band leader Paul Whiteman heard the group there and offered Teagarden a position in his New York orchestra. Later, searching for style and a kind of watering spa for his ideas, he drew from the blues a source of depth that makes his brand of Dixieland distinctiveand clearly divided from any other. Its a rare day when he opens his trombone case and hauls out his horn without moving a book or two on electronics or some phase of mechanics out of the way first. He was just downing the dregs of it when the door of the dive opened and in burst a very cute little blond. But the Whiteman group was not particularly musically inspired. And when he placed his arm around the younger Goldies shoulder, there was genuine affection in the embrace. In the early 20s, Teagarden joined the legendary Peck Kelly Band, Pecks Bad Boys, in Texas. Being a friend and not a snoop I never dug into Jacks personal affairs so I do not know whether he stayed married very long to that cute little blond girl or not. Jack said, Meet me after the last show in the cafe next door and we will go see the town. So I sat around until Jack and the boys earned their money and along about 11:15p.m. Jack Teagarden began playing piano at age five, took up baritone at age seven or eight, and had settled on trombone by age ten. recorded with his own small groups and played notably as a sideman with His style was remarkable for its effortless flow of melodic ideas, technical poise, and the tender beauty of its overall effect. He places placards, printed at his own expense, on tables wherever he appears as a player but not a singer. With abuse heaped upon him, Teagarden became the first white musician to travel on the road with an all-black band. He and his mother played duets (trombone and piano) as background to the silent films at a Vemon theater. This article was most recently revised and updated by, https://www.britannica.com/biography/Jack-Teagarden, All About Jazz - Biography of Jack Teagarden, Texas State Historical Association - The Handbook of Texas Online - Biography of Weldon Leo Teagarden, Jack Teagarden - Student Encyclopedia (Ages 11 and up). At the Playboy Jazz Festival, Jack introduced the trumpet player in his group, a fine young musician, Don Goldie, and recalled to the huge audience that Goldies father had played in a Teagarden band many years ago. So the traditional trombone stylists specialized in playing simpler accompaniment parts featuring cute special effects like glissandos. He was an inventor, redesigning mouthpieces, mutes, and water valves All the music I've played has finally paid off, he said. Though Vernajean Atwell was a toddler at the time and Teagarden is actually her stepfather, my earliest memories are of him taking care of me. He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. Teagarden has appeared in movies, has sung on the air and on TV, and has recorded actually thousands of sides. If I Could Be with You (One Hour To-night) Jack Teagarden and His Orchestra. But the cymbalom chap did manage to pick the books he wanted to bind, and the first tome he put back into reading condition was a treatise on the sliphorn. During the 50s, Teagarden tried to stop drinking, and he left Armstrongs band to save his health and his marriage. Im sorry Hes gone. Historians and critics widely agree: No one disputes Jack Teagardens place in the trombone pantheon(Morgenstern, 2004, p.292). Articles from Britannica Encyclopedias for elementary and high school students. In what the documentary calls one of the most important jazz recordings ever made, Teagarden and Armstrong ignored the advice of friends in 1929 and joined together to makeKnockin A Jug. The secret, she says, was a lot of yelling and marching and to get the neighborhoods youth involved. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. technique that still inspires awe even today. Size 10.0 Source 78 User_cleaned Bai Konte Johnson User_metadataentered Innodata User 02 User_transferred Jordan Gold His tonewas unbridled, rich and raw.. After Teagardens band failed, Bing Crosby brought him back to New York, and he eventually joined Louis Armstrongs All-Stars in 1946-47 as a featured soloist. 2023 Jack Teagarden - All Rights Reserved. The notes in any harmonic series are much closer together in the upper part of the series. The All Stars did well, but Teagarden left in 1951, in order to once again put together his own band. He made his first recording in 1927 as a member of the Kentucky Grasshoppers, an offshoot of Pollacks group. Jack Teagarden. Required fields are marked *. Tell us why you would like to improve the Jack Teagarden musician page. She also worked with disadvantaged youth. Teagarden divorced and married his second wife, and this marriage lasted three years before he divorced and married his third, a hotel phone operator. Four stylii were used to transfer this record. "@type": "Person", He did some playing and recording with other groups at this time, most notably with his brother Charlie and saxophonist Frankie Trumbauer as the Three Ts. Jack Teagarden. From 1947 to 1951 he toured with the Louis A bulky, sadfaced man with a husky baritone voice, Mr. Teagarden was one of the few musicians whose work aroused enthusiasm among all the splinter groups in contemporary jazz. Besides his brother Charlie. There have been times when Teagarden didnt need a rhythm section. Your email address will not be published. While every effort has been made to follow citation style rules, there may be some discrepancies. He did not follow the traditional Dixieland tailgate treatment of his instrument. Made in 1962, precisely two years before his death, it reflects much that was important about the man and musician; the uncanny precision and languorous passion of his trombone playing, the intimacy . Sometimes there would be more teens at the meetings than older people.. [5], By 1920, Teagarden was playing professionally in San Antonio, including with the band of pianist Peck Kelley. After leaving Armstrong in 1951, Teagarden worked with his own Jack said, When I blow a big noise out of that old horn, then I feel peaceful. See the town appeared in movies, has sung on the air and on TV, and band! 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